Broadcast Tech
Alan Leer
Head of Sound & Creative Audio · Award-winning ADR Mixer, Sound Designer & Supervising Sound Editor
Selected work
I've made things and stuff for:
Sound, intentional.
I work across Film, HETV, podcasting and digital productions, from first edits to final delivery, providing full post end to end. I might even turn up somewhere and point some mics at things if you fancy it.
You can find out more about the work I've done on their respective pages, and some more about me on the About page. Or just sling me an email and we can go for a beverage of any temperature and have a chat.
Awards & recognition
New York Festivals
Gold Award
RecipientTelly Awards
Gold Award
True Crime Reports · 2026Shorty Awards
Winner
True Crime Reports · 2026Studio & technical capability
My private post house
My studio brings together the workflows, technical discipline and creative tools I developed in leading London post houses, with the speed and direct attention of a private setup.
It is designed for demanding editorial, sound design, mixing and delivery, using current technology, carefully built systems and production methods proven on feature films, high-end television and award-winning audio.
- Monitoring environment
- A professionally treated and calibrated stereo and 5.1 room, with multiple reference systems for confident decisions throughout editorial, premixing and final delivery.
- Core system
- A Mac Studio-based Pro Tools system with Avid control and SoundFlow, configured for large sessions, rapid versioning and demanding turnaround schedules.
- Specialist toolset
- Professional tools from iZotope, FabFilter, SoundToys, Altiverb, Accentize, Supertone, Penteo and other specialist developers, chosen for creative range, reliability and speed.
- Workflow & automation
- Templates, macros and production systems shaped by major post-house practice, reducing repetitive work and keeping complex projects organised, consistent and moving forward.
- Technology in practice
- Emerging tools and techniques are tested for genuine production value before they become part of the workflow. Anything that stays has to improve the sound, save time or make the process more dependable.
Areas of work
Film & Television
Full audio post for features, HETV, documentary, factual and episodic work—from editorial and ADR through design, mix and delivery.
Explore ↗Podcasting & Digital
Voice-led editorial, recording, restoration, sound design, mixing and mastering for narrative, documentary and branded audio.
Explore ↗Consultancy & Supervision
Senior creative, technical and operational support informed by current, day-to-day leadership as Head of Sound.
Explore ↗Start a conversation